In an Orphancorp, there’s not a lot of physical contact, and the touches we do get usually hurt. Without each other, maybe we’d go through life thinking that hands are just slaps and fists, not for grasping or stroking.
Welcome to Orphancorp is a gritty, first-person dystopian novella following seventeen year-old Miriiyanana Mahoney. Mirii is seven days away from Age Release when she is transferred to a new Verity House. It doesn’t matter to Mirii where she is transferred to, because all of the compounds have the same layouts and the same wardens, known as Aunties and Uncles, who use brutality and humiliation to keep the orphans in line. The Orphancorps buy unaccompanied minors from the state, but they have to release them back into society when they turn eighteen. That is, unless the orphans mess up before they’re due for release, in which case they are transferred to Prisoncorp.
There are only seven chapters in Welcome to Orphancorp, which are listed in descending order, counting down to Mirii’s her release date. Upon her arrival to a new Verity House, Mirii is warned by one of the aunties that she needs to keep her mouth shut in order to make it to her release date. While the novella is structured around the seven day countdown, Welcome to Orphancorp isn’t so much a novel about escape, as it is about survival. Given that Mirii arrives at the new orphancorp in a gag and chains, Mirii’s situation is bleak, but she is by no means a downtrodden pacifist.
Marlee Jane Ward has crafted a complex protagonist and narrator who is both aware of her limitations but is also driven by a need to push back against an institution devoid of compassion whenever a chance arrives. Like the majority of orphans, Mirii has been in the system for most of her life. The orphans are raised amongst themselves, with the majority of older teens made to care for the toddlers. Mirii has proven incapable of looking after the younger ones, so she is assigned to electrical manufacture. The natural inclination for Mirii is to not form any emotional attachment, as orphans can be transferred out to other compounds or sent to Prisoncorp if they have enough infractions.
The novella contains explicit sexual content as well as drug references, but neither is gratuitous. By day, the orphans are bound by rules and hierarchy brutally enforced by the Aunts and Uncles. But once the lights are out, they showcase their skills through black market trades and cling to their humanity and identity through sexual encounters.
Welcome to Orphancorp has echoes of Never Let Me Go by Kazuo Ishiguro, as both present a near-future dystopian world that offers little hope of change at a societal level, as the compounds operate within a larger world which has no interest in intervention. The beauty of both novels is the show of defiance the characters can achieve by daring to live.